The Girl in Shadows – A Pencil Sketch That Speaks Without Words

-By Joyes bara

“Her Silence Spoke First”

Some faces don’t need words — they already carry conversations in the shadows of their eyes.

This drawing came from somewhere between restlessness and a deep need to feel seen.

I didn’t plan her. She just… arrived.

The way her fingers cradle her lips — it’s like she’s holding back a truth too sharp for the world.

The hand isn’t hiding her — it’s shielding you.

Because if she spoke, you might not be ready to hear.

Her hair flows like storm clouds — not tamed, not tied.

That wildness isn’t chaos, it’s freedom.

It’s the kind of mess only real people carry — beautiful, complicated, honest.

I shaded and erased and shaded again, letting emotion bleed through every line.

Not perfect. Not polished. But real — and real hits deeper.

Art Talk: Behind the Sketch

🖋 Medium: Graphite pencil, sketchpad

🎨 Focus: Emotion through minimal detail, soft contrast, expressive hands

💭 Mood: Lonely but powerful — like she’s her own safe place

Trash World, God Tier Power: Why Gachiakuta Is the Anime You Can’t Sleep On

 

Gachiakuta is being produced by Bones Film, a newly formed subsidiary of the legendary Studio Bones—famed for My Hero Academia, Fullmetal Alchemist: Brotherhood, Mob Psycho 100, and more ().

Gachiakuta: Style, Scrap, and Soul

If fashion ever went head-to-head with chaos and raw energy, the survivor would be Gachiakuta.

Straight from my sketchbook, this series’ world bursts with rebellion, grit, and untamed creativity. The outfits aren’t just clothing—they’re loud statements. From Rudo’s industrial patchwork to wild silhouettes that fuse dystopian tech with streetwear swagger, every design tells a story. Oversized weapons, cyber-stitched jackets, and symbolic embellishments aren’t mere aesthetics—they are narrative, history, and emotion stitched into every fiber. In Gachiakuta, trash isn’t trash—it’s power. Scrap becomes spiritual.

A Power System That Hits Different

The Jinki system isn’t your typical shonen energy blast. Characters wield weapons forged from their past—memories, trauma, or objects they hold dear. Fighting with a piece of yourself? That’s not just combat. That’s catharsis. That’s beauty. That’s Gachiakuta.

Every battle is more than fists or explosions—it’s emotion turned into survival, creativity turned into weapon. Manipulating junk into justice isn’t just cool—it’s a metaphor for life: even broken things can be powerful.

Bones Film, the new subsidiary of legendary Studio Bones (My Hero Academia, Fullmetal Alchemist: Brotherhood, Mob Psycho 100), brings this anarchic world to life, elevating trash, fashion, and soul into an unforgettable experience

Sketch dump 2

This graphite portrait was a quiet challenge — capturing the depth in a child’s gaze, the softness of skin, and that hint of determination in such a small face. I wanted this piece to reflect more than likeness — to hold emotion in shadow and shape.

No filters. Just pencil, patience, and presence.

Why I Liked Omniscient Reader’s Viewpoint More Than Solo Leveling

Why I Liked Omniscient Reader’s Viewpoint More Than Solo Leveling

After finishing Solo Leveling, I was on the hunt for another manhwa that could give me that same adrenaline rush. That’s when I stumbled upon Omniscient Reader’s Viewpoint. I went in with low expectations — how could anything match Solo Leveling? But wow… I was not ready.

Solo Leveling was an awesome ride. Great art, non-stop action, and Sung Jin-Woo was just cool without even trying. But ORV gave me something more. It wasn’t just about power levels and epic battles (though those were definitely there). It was about people, stories, survival, and connection.

Kim Dokja, the main character, isn’t overpowered like Sung Jin-Woo. He’s clever, strategic, and honestly kind of broken in the most relatable way. The whole “reader becomes part of the story” plot was so unique, and as someone who’s spent too much time lost in fictional worlds, it hit hard.

What made me love ORV even more was the group dynamic. Yoo Joonghyuk, Han Sooyoung, Jung Heewon — each of them had depth, backstory, and personality. It wasn’t just one guy soloing everything. It was a team, a found family, slowly forming in the middle of chaos.

And the emotional moments? They got me. Some scenes had me smiling like an idiot, and others genuinely hurt me. The storytelling was layered and thoughtful, without ever being boring.

So yeah — I read ORV after Solo Leveling, and somehow, it ended up meaning more to me. If you love action and heart, don’t sleep on it.